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You are here: Home / Publications & Archives / Joszef Goldschein Gadany Archive

Joszef Goldschein Gadany Archive

In March 2021, the OCHJS was delighted to receive the collection of family documents, books, prints, pamphlets and paintings formed by the late Joszef Goldschein Gadany, a friend of the OCHJS who sadly died in August 2020. This collection enriches our resources concerning Jewish history in modern Hungary as well as the figure of Benjamin Disraeli. Several works from the collection may be found hanging in our premises at the Clarendon Institute. Additionally, our Leopold Muller Memorial Library received a number of books and archival material on Mr Gadany’s family and personal history as part of the collection.

Below is a gallery of select paintings and photographs from the collection, along with brief descriptions of each, and a history of Mr Gadany’s life written by Dr Paul Dakin, one of the Estate’s Executors and originally published in our 2020-21 Annual Report. If you have any questions about the collection or wish to use/study any of the pieces therein as part of your research, then please email us at enquiries@ochjs.ac.uk.

The OCHJS thanks Mr Gadany for bequeathing his collection to the OCHJS, and his Estate’s Executors—Dr Paul Dakin, Dr David Landau, and Rabbi Dani Smolowitz—for working diligently to ensure the safe transfer and preservation of the collection.


The Goldschein Gadany Collection

  • 618/91 Portrait of Louisa Basevi (Nathaniel) of Balliol College by Henry Tatham (pencil and watercolour, 48x35cm); daughter of Colonel Orange, great-great niece of K. William III; companion at the Torbay landing with K. William III; Bantrick was on the boat to Torbay
  • Back
  • 620/89 First Appearance of Beaconsfield in House of Lords; (Back) translation from old German label: ‘Her majesty opening Parliament in 1876, scene in the House of Lords. Reading of the Queen’s Speech, The Rt. Hon Benjamin Disraeli Prime Minister watching over the reading (standing on the lefthand side of Her Majesty in court dress). Painted by Adolf de Fesch Esq.’
  • Back
  • Maria Miriam Basevi; married to Isaac Disraeli D.Litt (DCL)
  • 623/85 Rozacska Spitzer (daughter of Bertha Goldschein) at age 16 in home of her sister Gisella Schoffer, owner of castle of Ila Puszto
  • Plaque
  • Moritz and Goldschein or Spitzer
  • Portrait of Disraeli by G. F. Harris (oil on canvas, signed and dated 1893, 31 x 25 cm)
  • Dr Adolph Schulhof; Baja
  • Back
  • Portrait of a Child as Diana (en grisaille oil on canvas, English School c. 1790, 29 x 20cm); the Lady Mary Seymour, only daughter of Edward 8th Duke of Somerset, born 1729; some connection to George Basevi
  • Back
  • Pair: Portrait of Theresa Leiderdorff and Companion, her Husband (oil on canvas, laid down on panel?, Austrian School c. 1800, 26 x 21cm); (Back) inscription by J. G. Gadany
  • Back
  • Pair: Portrait of Theresa Leiderdorff and Companion, her Husband (oil on canvas, laid down on panel?, Austrian School c. 1800, 26 x 21cm); (Back) note seems to indicate the family was connected to David Goldschein from family Auspitz
  • Back
  • 625/83 Julie Broder by Samuel Schwarz; great-grandparents (grandmother’s parents) and founders of family wealth
  • 12. 624/84 Elmer Goldschein; brother of father, a business genius, died at 19
  • 115 Portrait of Leonora Basevi/Leonora Basseva possibly by Karl Franz Josef Theloff (oil on canvas in a contemporary gold-leaf frame, 64 x 53cm); (Plaque) ‘Karl Franz Josef Theloff 1796-1830, Leonora bassevi Furst bassevi Treuenburg 1828’
  • Plaque
  • 96 (613) Portrait of a Bearded Scholar by Basa Ben Sevi, founder of Basevi’s Dutch School (oil on canvas, 18th century, 55 x 41cm)
  • Lipot Foherozeg (1790-1792), Broda
  • Back
  • 622/86 Large Wedding Photograph of Mrs Disraeli, first cousin to Lord Halifax, Earl of Devon, and wife of Coningsby, MP for Altrincham; (Back) Marion Grace Disraeli OBE, Dame of the Order of St John
  • Back
  • Ferencz Rakoczy II, Ruling Duke of the Principality of Transylvania, by Adam Manyoki (1673-1756) (oil on canvas); son of the famous hero Ilona Zrinyi; Princess Rakoczy, by her second marriage, was wife of the ruling duke Imre Tokoly
  • Back
  • Possibly from J. G. Gadany’s Spitzer side of the family (1746)
  • Portrait of a Lady said to be Queen Adelaide attributed to John Bridges of Oxford (fl.1818-1854) (oil on canvas, 40 x 30cm)
  • Plaque
  • 20. Cleopatra Crossing the Nile by Veronese (oil on canvas, 106 x 148cm); in J. G. Gadany’s family for c. 200 years
  • Plaque
  • 21. Portrait of a Hungarian Noble attributed to Mihaly Kovacs (oil on canvas, 140 x 110cm); (Back) ‘Orczy Bódog, Baron (Tarnaörs, June 8, 1835-London, January 25, 1892)’
  • Back
  • Portrait of Frederick Biscoe Basevi (1835-1861) attributed to George Hargreaves (1797-1870) (watercolour on ivory, 19th century, 10 x 7.5cm)
  • Back
  • Portrait of Katherine Disraeli (1837-1930) (pencil, watercolour and bodycolour on ivory, jewels in the sitter’s hair and under her chin appear to be later additions, English School c. 19th century, 9 x 6cm)
  • Back
  • 614/95 Portrait of Captain James Palladio Basevi R. E. (1832-1871) of the Royal (late Bengal) Engineers attributed to James Holmes (pencil and watercolour, heightened with white on card, 19th century, 12.5 x 9.5cm); James went to India in the year 1853; three years afterward, he was appointed to the Great Trigonometrical Survey of India, upon which he continued to serve up to the time of his death
  • Back
  • 610/100 A Royal Warrant at the (Second Period) Creation of The Earl Of Effingham (hand gilt and coloured upon laid paper with lower seal portion, c. 1837, 40 x 60cm); created to pass reform bill; eldest son of supporters became peer William IV, King of The United Kingdom of Great Britain & Ireland and King of Hanover (1765-1837)
  • Portrait of Queen Adelaide with a view of Westminster Abbey Beyond by Ferdinand Flor (oil on canvas in a contemporary gesso and gold-leaf frame, signed/inscribed ‘Londra’ and dated 1831, 230 x 148cm)
  • 612/98 Augusta Princess of Wales
  • Portrait of George Henry Basevi (watercolour on card, English School c. 1835, 21.5 x 17cm)
  • 619/090 St Georges Chapel Windsor Castle; lying in state of K. Wm IV in presence of Adelaide
  • Man Playing Stringed instrument with Painter and Little Girl Looking On
  • Man Playing Stringed Instrument Seated
  • Man Plowing Field with Two Oxen
  • Man with Top Hat Walking Hand in Hand with Woman
  • Portrait of a Soldier (oil on canvas, German School 18th century, 42 x 32cm)
  • No description
  • Pair: Peasants Dancing Outside a Tavern (oil on canvas, Flemish School 18th century, 26 x 33cm)
  • Pair: Peasants Dancing Outside a Tavern (oil on canvas, Flemish School 18th century, 26 x 33cm)
  • Chrysanthemums in a White Vase by Molani Z. Faino?, indistinctly signed (oil on board, 27 x 21cm)
  • A View on a Venetian Canal by Edith Brearey Robinson (fl.1889-1893), signed (pencil and watercolour, 23 x 33cm)
  • ‘My Lady’s Garden’ by T. Gregory, signed and inscribed on back (pencil and watercolour, 33 x 27cm)
  • Portrait of a Lady, said to be Countess Aurora Konigsmarck (oil on canvas laid down on panel in an 18th-century carved and giltwood frame, Austrian School 18th Century, 40 x 31cm)
  • No description
  • No description
  • No description
  • H. M. King William IV by John S… (1763-1837, not very clear—engraved on brass by J. G. Gadany)
  • 607/103 Portrait of a Boy, Grandfather of James Palladio & Wife (oil on canvas, English School late-18th century, 67 x 47cm)
  • 613/97 Albrecht von Wallenstein (Duke of) Lord Treuenburg (oil on canvas, Flemish School 17th Century, 45 x 34cm)
  • Study of a Boy (pastel on paper, English School 20th century, in the style of Ambrose McEvoy, 50 x 40cm)
  • Study of a Child, Abraham Vita Rietti of Mantua listed on brass plaque (oil on canvas, manner of Rubens, 58 x 48cm)
  • Portrait of a Man (oil on canvas, English School 18th century, 57 x 44cm)
  • No description
  • A Boy Tickling a Sleeping Girl by Candlelight, possibly by Joseph Wright of Derby (oil on canvas, English School 18th century, 74 x 64cm)
  • The Adoration of the Shepherds (oil on canvas, in the style of Gerrit van Honthorst, 63 x 93cm)
  • A Child Seated at a Table (oil on canvas, from the circle of William Owen, 74 x 62cm)
  • A Bishop Saint (oil on canvas, in the manner of Ribera, 95 x 74cm)
  • Portrait of Kaiser Karl I (oil on canvas, from the circle of Viktor Vilmos Krausz, 1878, 112 x 82cm)
  • 588/125 Portrait of a Mother and Her Child by P. Walisch (signed and dated 1859, oil on canvas, 120 x 100cm)
  • Study of a Seated Male Nude (oil on canvas, English School 20th century, 78 x 63cm)
  • A Rocky River Landscape by T. Singleton (signed twice, oil on canvas, 44 x 63cm)
  • A Watermill in a Mountainous Landscape by a follower of Allaert van Everdingen (oil on canvas, 75 x 62cm)
  • Portrait of Kaiser Joseph II (oil on canvas, German School 18th century, in a 19th-century Italian carved and gilt wood frame, 46 x 30.5cm)
  • St Elizabeth of Hungary Washing the Poor (oil on canvas, Dutch School 18th century, 51 x 39cm)
  • No description (oil on canvas)
  • Portrait of a Noble Child (oil on canvas, English School late 20th century, 100 x 80cm)
  • Study of Two Urchins by R. M. Dutton (signed and dated September 1797, oil on canvas, 90 x 70cm)
  • No description
  • Cattle and Sheep on a Sandy Track by E. Steiqueler (signed, oil on canvas, 30 x 50cm)
  • Portrait of a Man by Mathieux (signed, oil on canvas, 50 x 40cm)
  • A Rocky Wooded Landscape at Dusk (oil on canvas, Dutch School 18th century, 42 x 50cm)
  • A Ferry with People and Cattle Crossing a River Estuary (oil on canvas, manner of William Anderson, 35 x 52cm)
  • An Old Man Playing Flute, Whilst a Young Girl Holds up Sheet Music by John Burr (1831-1893) (signed and dated 1877, oil on canvas, 33 x 54cm)
  • An Alpine Landscape (oil on canvas, English School, 30 x 35cm)
  • No description
  • A River Landscape (oil on canvas, Dutch School 18th century, 57 x 98cm)
  • The Beach at Torquay (?) by Edward Bowyer Sparke (1832-1910) (signed and dated 1861, pencil and watercolour heightened with white, 27 x 43cm)
  • Figures in 17th-Century Costume Playing Football in the Grounds of an Elizabethan Mansion by J. E. Buckley (fl. 1843-1861) (signed and dated 1866, pencil and watercolour heightened with white, 30 x 65cm)
  • Peasants Merrymaking Outside a Tavern (oil on canvas, Dutch School 18th century, 60 x 74cm)
  • Setters with Dead Pheasants and Partridge by George Armfield (1808-1893) (signed, oil on canvas, 49 x 60cm)
  • A Rugged Mountainous Landscape (bears initials ‘M. K.’, oil on canvas, in the manner of Karoly Marko, 56 x 70cm)
  • Portrait of Empress Maria Theresa (Note: the previous owner believed this was a portrait of Queen Adelaide at Cassiobury reading the Psalms as she awaited the arrival of Queen Victoria and Prince Albert) (oil on canvas, Austrian School 18th century, 88 x 73cm)
  • A Landscape with a Walled Town at the Edge of a Plain (oil on canvas, from the circle of Dionysus Verbugh, 65 x 59cm)
  • Portrait of an Aristocratic Lady possibly by Franz von Fahrenschon (?; engraved on brass by J. G. G.) (oil on canvas, Austrian School 18th century, 80 x 71cm)
  • A Penitent St Jerome possibly by Domenico Fetti (?; engraved on plaque) (oil on canvas, Venetian School 18th century, 75 x 62cm)
  • Portrait of a Lady (oil on canvas, Austrian School 18th century, 108 x 93cm)
  • ‘The Queen’s Wake’ by Sir Francis Grant P. R. A. (1803-78) (oil on canvas, 97 x 126cm)
  • Portrait of Ferdinand of Austria (1793-1895) by Natalie Schiavoni (1757-1848) (watercolour on cracked ivory, original frame, 15 x 12cm); one of a pair
  • Portrait of Maria Anna of Saxony, Wife of Ferdinand of Austria (1793-1895) by Natalie Schiavoni (1757-1848) (watercolour on cracked ivory, original frame, 15 x 12cm); one of a pair
  • Portrait of William Shakespeare (oil on canvas, English School mid-19th century, 125 x 87cm)
  • A Battle between the English and the Scots James Drummond R. S. A. (1816-77), signed (oil on canvas, 83 x 115cm)
  • A Highland River Landscape at Sunset with false signature/date of Alfred de Breanski (oil on canvas, from the circle of John Henry Boddington, 68 x 114cm)
  • Portrait of Joseph, Archduke of Austria, Aged 3, inscribed and dated 1865 (oil on canvas, Austrian School mid-18th century, 108 x 93cm)
  • Portrait of a Lady, inscribed Jean Hubert 1731 on back (oil on canvas, Austrian School 18th century, 127 x 93cm)
  • Portrait of Thokoly Imre (1657-1705), inscribed Adám Manyóki (oil on canvas, Hungarian school 18th century, 120 x 102cm)
  • The Rest on the Flight into Egypt (oil on panel, Italian School early 19th century after Federico Barocci, 83 x 80cm)
  • A Lady in a Red Dress Reading a Book, indistinctly signed (oil on canvas, 68 x 49cm)
  • St Veronica with the Sudarium (oil on canvas, in the style of Rubens, 84 x 69cm)
  • A Rocky Coastline with Herring Gulls by I. H. C. Millar, signed (oil on canvas, 80 x 120cm)
  • A Young Swain and a Young Maid, indistinctly signed (oil on canvas, French School mid-19th century, 114 x 87cm)
  • Portrait of a Man, Wearing the Order of the Golden Fleece (oil on canvas, possibly French School 18th century, 70 x 52cm)
  • Study of a Male Nude by John William Whiteley (fl. 1882-1916) (oil on canvas, 74 x 43cm)
  • No description
  • No description
  • No description
  • No description
  • No description (watercolour)
  • Cymon and Iphigenia by Albert van Coburg (oil on canvas, 172 x 138cm)
  • Portrait of Prince George, Duke of Cambridge (oil on canvas, English School early 19th century, 132 x 93cm)
  • Bacchus and Ariadne, attributed to Francesco Podesti, signed (oil on canvas, 84 x 65cm, oval)
  • Portrait of King William III (oil on canvas, from the studio of Sir Godfrey Kneller, 122 x 98cm)
  • A Highland Loch Landscape by John Falconar Slater (1857-1937), indistinctly signed and dated 1898 (oil on canvas, 100 x 124cm)
  • Pieta (oil on oak panel, Flemish School c. 1500, in an ornate 19th-century frame set with semi-precious stones, 20 x 18cm)
  • Figures by Raglan Castle (pencil and watercolour heightened with white, in the style of Henry Gastineau, 36 x 48cm)

The executors of Joszef Goldschein Gadany’s estate are delighted that the Oxford Centre for Hebrew and Jewish Studies has agreed to receive his important collection of historic documents and objects. In order to understand the assemblage it is necessary to understand the man. Joszef Gadany, a complex and intriguing character, was born into a well-connected Budapest family in 1931. He developed an interest in his Sephardi ancestors, who had been prominent in Prague and Vienna. A grandfather was appointed Crown Jeweller to the Austro-Hungarian Emperor, while two uncles served at the Imperial Court and one other relative paid for the construction of the Chain Bridge. Joszef, whose father owned a well-known jewellery shop, lived with his family in a comfortable apartment opposite the Great Synagogue, in which his grandfather held a seat of honour at the foot of the pulpit steps. His early childhood was very happy, with holidays spent at his father’s country house by the Danube. After reading Patrick Leigh-Fermor’s memoir Between the Woods and the Water, based on the author’s prewar experiences in Hungarian castles and country houses, Joszef remarked that his parents knew all the people mentioned.

With the rise of fascism and the coming of the Nazis, terrible changes were inevitable for Joszef’s family. His father, who became a well-known and popular officer during the First World War, was shot to prevent him becoming a focus of dissent. Joszef was imprisoned at a young age, and forced into a junior work brigade charged with dangerous tasks such as pulling bodies from bombed buildings. He was rescued, while under armed guard, by an elderly Catholic man who snatched him off the street and hid him in his basement flat. Joszef experienced the terrible reality of the Budapest Ghetto, and later passionately sought to make known some uncomfortable truths omitted from conventional records. He eventually managed to escape and was provided with false papers by a Jesuit priest whose name is now commemorated at Yad Vashem.

Joszef hoped that the Russians’ arrival would improve his situation, but the Communists imprisoned him once again, this time as a ‘class enemy’. Because one of Joszef’s relatives had written the only Hungarian-language biography of Stalin, Joszef appealed from prison to the Soviet leader. An advisor was sent to the prison to thank him for his relative’s work, but when Joszef asked the man to intervene on his behalf the man said that this was a matter for the Hungarian Party. Joszef was eventually released, and he became involved in organizing the 1956 uprising.

He was reticent to explain his arrival in North London, but it seems that members of the British Government had been lobbied to obtain his release. Settled in East Finchley with his mother, Joszef sought work as an engineer, having had some training in Hungary. When this attempt failed, he followed his father’s example and became a jeweller, opening shops in Bond Street and Chelsea. He was a specialist in enamel work, and a recently discovered receipt shows that he even repaired a Fabergé egg for the Queen.

Joszef was fascinated by his family’s history, claiming ancestry from the Maharal of Prague, and connections with Queen Adelaide and Benjamin Disraeli. He was born Joszef Goldschein, but used the title Baron Joszef von Treunberg und Dombovar, uniting honours bestowed on different parts of the family by two Emperors. He had a phenomenal memory and could recall and recount intricate links between individuals, families and royal houses throughout Europe. Subsequent research into such stories, however outlandish they seemed at the time, always proved them correct.

As can be imagined from this account of his life, Joszef’s collection is entirely unique and reflects his many interests. He was most concerned that following his death (which occurred in the summer of 2020) there should be a lasting memorial for his destroyed family. Joszef’s passionate acquisition of objects ensures that the collection makes a fitting memorial. It consists of paintings, books, documents, historical artefacts, ceramics, coins, jewellery and ephemera. Some items are very valuable, and others less so. A few objects had been owned by his family and were stored during and after the war by a distant relative living in the countryside. Joszef eventually had these shipped to London. Other items were purchased by him from individuals or in auctions while he was living in London. All were on private display or in storage at his London home.

The collection revolves around three major themes—the history of his family in a Hungarian context, Benjamin Disraeli and Queen Adelaide—and he maintained that everything was interlinked and belonged together. Having no close relatives remaining, he was intent on finding an institution or organization that would accept the whole collection, make it available for study and never part with any of it. For a year I approached institutions on Joszef’s behalf, most of which were interested in only one part of the collection. That is why Joszef and the executors were delighted by the discussions with Judith Olszowy-Schlanger and the Oxford Centre, and why Joszef eventually agreed to bequeath his entire collection to the Centre. Thanks to the hard work and persistence of Rabbi Smolowitz, one of my fellow executors, the collection has been sorted, documented and packed, and much of it already passed to the Centre. We are honoured and thrilled to know that our dear friend’s collection will be available for scholars, and that his wishes concerning its preservation intact are being respected.

Dr Paul Dakin, On behalf of the Executors of Joszef Goldschein Gadany’s Estate (Dr David Landau, Rabbi Dani Smolowitz and Dr Paul Dakin)

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